Limited Edition, Raven Steals the Light, designed by Tlingit artist Preston Singletary

Patinated Bronze Raven on Rotating Wood Base and Sandblasted Glass Sun

The myth of Raven stealing the sun and moon and releasing them into the sky is one that has resonated throughout Preston Singletary’s glass career. He has revisited the myth in his glass, in prints, and in bronze, turning it over and over and revealing new facets with each piece he creates. Singletary is currently working towards a large solo exhibition for the Museum of Glass in Tacoma, WA in 2018, which will lead visitors through a series of installations based on the myth.

The most well-recognized Tlingit story of is that of the Theft of Daylight, in which Raven steals the stars, the moon, and the sun from Naas-sháki Yéil or Naas-sháki Shaan, the Raven Man (or Old Man) at the Head of the Nass River. The Old Man is very rich and owns three legendary boxes that contain the stars, the moon, and the sun; Raven wants these for himself (various reasons are given, such as wanting to admire himself in the light, wanting light to find food easily, etc.). Raven transforms himself into a hemlock needle and drops into the water cup of the Old Man’s daughter (Chieftain’s Daughter) while she is out picking berries. She becomes pregnant with him and gives birth to him as a baby boy. The Old Man dotes over his grandson, as is the wont of most Tlingit grandparents. Raven cries incessantly until the Old Man gives him the Box of Stars to pacify him. Raven plays with it for a while, then opens the lid and lets the stars escape through the chimney into the sky. Later Raven begins to cry for the Box of the Moon, and after much fuss the Old Man gives it to him but not before stopping up the chimney. Raven plays with it for a while and then rolls it out the door, where it escapes into the sky. Finally Raven begins crying for the Box of the Sun, and after much fuss finally the Old Man breaks down and gives it to him. Raven knows well that he cannot roll it out the door or toss it up the chimney because he is carefully watched. So he finally waits until everyone is asleep and then changes into his bird form, grasps the sun in his beak and flies up and out the chimney. He takes it to show others who do not believe that he has the sun, so he opens the box to show them and then it flies up into the sky where it has been ever since.

Dimensions: 30"h10"w10"d 

Artist statement: "When I began working with glass in 1982, I had no idea that I'd be so connected to the material in the way that I am. It was only when I began to experiment with using designs from my Tlingit cultural heritage that my work began to take on a new purpose and direction. Over time, my skill with the material of glass and traditional form line design has strengthened and evolved, allowing me to explore more fully my own relationship to both my culture and chosen medium. This evolution, and subsequent commercial success, has positioned me as an influence on contemporary Indigenous art. Through teaching and collaborating in glass with other Native American, Maori, Hawaiian, and Australian Aboriginal artists, I've come to see that glass brings another dimension to Indigenous art. The artistic perspective of Indigenous people reflects a unique and vital visual language that has connections to the ancient codes and symbols of the land, and this interaction has informed and inspired my own work.
My work with glass transforms the notion that Native artists are only best when traditional materials are used. It
has helped advocate on the behalf of all indigenous people -- affirming that we are still here -- that that we are declaring who we are through our art in connection to our culture. My work continues to evolve and connect my personal cultural perspective to current modern art movements, and I have received much attention for striving to keep the work fresh and relevant. I have been honored that my success has inspired other artists from underrepresented indigenous cultures to use glass and other nontraditional materials in their work and hope that I can continue to encourage more innovation in this area as my career progresses."